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Index: A

AC line noise: 6.3. Professional webcasting

acoustic foam, reducing reflections with: 3.2.1.2. Optimizing your recording environment

acoustic instruments, recording: 3.1.1.3. Condenser microphones

3.1.3. Mixers

acoustics, studio: 3.2.1.1. Proper room acoustics: capturing a "dry" signal

action, driving with music: 1.6. Solid sound design

ActionSets, Beatnik: 11.2.2. Beatnik Audio Engine

Active Streaming File (ASF): 5.2.2. Windows Media Technologies (Netshow)

ActiveX

controls

placing into ASF stream: 5.2.2. Windows Media Technologies (Netshow)

ActiveX controls

embedding in HTML pages: 6.4.2.2. Note of caution

Adobe: 9.2. Introduction to Flash

Adobe GoLive: 11.2.2. Beatnik Audio Engine

Advanced Mode dialog window, RealEncoder: 6.2.3. HTTP streaming tutorial

Advanced Streaming Format: 5.2.2. Windows Media Technologies (Netshow)

Aftershock utility: 1.5. Audio challenges and limitations

9.1. Flash and Shockwave basics

AIFF file format

compression: 1.7.1.1. Capturing narration
converting: 6.3.2. Using the RealEncoder
speech, encoding: 5.1.1. Lossy compression

AKG microphones

ELA M251 vintage microphone: 3.1.4. Compressors/limiters

album clips: 1.2. What you can do with sound on the Web

Alesis equipment

synthesizers

Quadrasynth Plus: 10.1.1. Advantages to using the MIDI format

Amazon.com: 8.8. MP3 resources

ambient sound loops: 1.7.1.1. Capturing narration

field recordings of: 3.1.1.4. Lavaliere clip-on microphones

3.2.2.3. Capturing ambient sounds

music, designing: 1.7.3. Designing music loops

loops vs. sound effects: 1.7.3.1. Sound loops versus repetitive sound effects
mixing: 1.7.3.2. Good ambient loop mixing
optimum length: 1.7.3.3. Optimum loop length
seamless: 1.7.3.5. Building seamless music loops

music, use in: 1.7. Designing web audio

9.2. Introduction to Flash

seamless loops, creating: 1.7.3.4. Sound loop tutorial: creating seamless loops with a sound editor

sound effects, compared to: 1.7.3.1. Sound loops versus repetitive sound effects

amplify/gain command: 4.3.2. Compression: reducing sound peaks and spikes

amplitude

adjusting: 6.3. Professional webcasting
level: 4.3.3. Equalization: customizing your sound
reduction: 4.1.3.2. Amplitude reduction

analog

converting to digital

better sound cards: 6.6.2. Capturing live audio with the RealEncoder
eliminating DC offset: 6.3. Professional webcasting

distortion: 4.3.1. Normalization: maximizing the dynamic range

tape reels, cost of: 3.1.6. DAT recorders

waveforms: 2.2. Digital audio demystified

animation: 5.2.3. QuickTime

vector (Macromedia Flash), streaming in RealSystem G2: 7.5. RealFlash

Antares Systems: 1.7.3. Designing music loops

anti-piracy protections: 5.2.7. Liquid Audio

Apache: 8.5.1. Creating your own MP3 site

Apple Worldwide Developer Relations Group: 10.3. Creating your own MIDI files

AppleScript, batch-encoding audio files: 6.3.2.1. Encoding RealAudio with a batch processor

archive management, RealMedia files: 6.4.6. Database management and tracking of RealAudio content

artifacts: 3.2. Recording techniques

embedded, removing: 4.1.3. Removing embedded artifacts

removing: 4.1.1. Choosing takes and removing artifacts

4.1.1. Choosing takes and removing artifacts
6.3. Professional webcasting

ASCAP: 8.6.2.2. Complying with copyright laws

ASF (Active Streaming File): 5.2.2. Windows Media Technologies (Netshow)

AU files: 5.2. Streaming media formats

audience, target: 1.7. Designing web audio

audio archives: 1.2. What you can do with sound on the Web

audio biography: 4.2.3. Pitch shift

Audio Ease

BarbaBatch conversion application: 6.3.2. Using the RealEncoder

audio fidelity: 5.3.5. Audio fidelity and compression

audio files

batch-encoding with AppleScript: 6.3.2.1. Encoding RealAudio with a batch processor
compression: 5.1.1. Lossy compression

audio gear, low-end versus high-end: 3.1. Selecting the right equipment

audio input and output plug-ins: 8.3.5. Plug-ins

audio interviews: 1.2. What you can do with sound on the Web

audio mixers: 3.1.3. Mixers

audio mixing: 1.7.3.2. Good ambient loop mixing

audio processor plug-ins: 8.3.5. Plug-ins

Audio-Technica microphones

4050 condenser microphone: 3.1.1.3. Condenser microphones

AudioCatalyst: 8.4.1.2. Getting started

CDDB: 8.4.2.5. CDDB database support

encoding: 8.4.2.6. Encode

options for: 8.4.2.2. Choosing your encoding options

SetPlayer option: 8.4.2.7. Play

tracks, selecting: 8.4.2.1. Selecting tracks

AudioMedia III: 6.6.2. Capturing live audio with the RealEncoder

auditory masking: 8.2.1. MP3 technical details

AVI files: 5.2.2. Windows Media Technologies (Netshow)

Avid: 4. Optimizing Your Sound Files

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