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Index: L

L1 Maximizer

peak limiter plug-in: 4.3.2. Compression: reducing sound peaks and spikes

LAN (local area network), broadcasting to: 6.4.1. Broadcasting through firewalls

lavaliere clip-on microphones: 3.1.1.4. Lavaliere clip-on microphones

layering content: 1.2. What you can do with sound on the Web

layout tag, SMIL: 7.2.1. SMIL syntax

legal issues, MP3: 8.7. Legalities of MP3

length

ambient loops compared to music loops: 1.7.3.5. Building seamless music loops

libraries, sound effects: 1.7.3. Designing music loops

license agreements, webcasting: 8.6.2.2. Complying with copyright laws

limiters: 3.1.4. Compressors/limiters

linear playback: 5.2.4. Flash and Director Shockwave

Lingo: 9.2. Introduction to Flash

9.3. Introduction to Shockwave

9.3.1. Using Shockwave "internal" sounds: embedded cast members versus streamed SWA sounds

Lingo script: 1.7.3.1. Sound loops versus repetitive sound effects

5.2.4. Flash and Director Shockwave

Linux: 5.2.2. Windows Media Technologies (Netshow)

8.3.4. Skins

multiple sound cards: 6.5. Live broadcasting with RealAudio

RealServer: 6.3.3.2. RealServer system requirements

remote encoding: 6.6.5.1. Remote encoding and management

Liquid Audio: 5.2. Streaming media formats

5.2.7. Liquid Audio

8.7.1. Is MP3 legal?

8.8. MP3 resources

Genuine Music Mark (GMM): 8.8. MP3 resources

Liquid Music Network (LMN): 8.8. MP3 resources

Liquid Server: 8.8. MP3 resources

Liquifier encoding tool: 8.8. MP3 resources

Liquifier Pro: 8.8. MP3 resources

in Winamp and RealPlayer: 8.8. MP3 resources

Liquid Express: 5.2.7. Liquid Audio

Liquid Player: 5.2.7. Liquid Audio

Liquid Server: 5.2.7. Liquid Audio

Liquid Tracks: 5.2.7. Liquid Audio

Liquifier Pro: 5.2.7. Liquid Audio

8.8. MP3 resources

live broadcasts

archiving: 6.6.3. Archiving live broadcasts

case study: 6.6. Case study: N2K streams live M[DBLENTITY:ouml]tley Cr[DBLENTITY:uuml]e concert

high-quality source signals: 6.6.1. Capturing high-quality live sound

RealAudio: 6.5. Live broadcasting with RealAudio

RealServer: 6.3.3. Broadcasting audio with the RealServer

splitting: 6.6.5. Splitting a live broadcast for more efficient streaming

live concerts: 3.2.2. Field recording

dynamic microphones: 3.1.1.2. Dynamic microphones

live encoding: 6.1.1. RealEncoder and RealPublisher

live splitting: 6.1.2. RealServer

LiveMotion: 9.2. Introduction to Flash

load balancing: 6.4.7. Load balancing

local area network (LAN): 6.4.1. Broadcasting through firewalls

Local Director: 6.4.7. Load balancing

Logic Audio: 11.4. Using the Beatnik Editor

loops: 1.7.1.1. Capturing narration

(see also ambient sound loops)

avoiding monotony: 1.7.1. Easy-to-use narration

rhythm: 1.7.3.3. Optimum loop length

soundtracks: 1.3.2. Adding a looping music soundtrack

lossless compression: 5.1.1. Lossy compression

lossy compression: 5.1.1. Lossy compression

loudness: 2.1. The science of sound

dynamic range: 2.1.1. Loudness

low-end frequencies: 6.3. Professional webcasting

low-frequency sound: 1.9.1. Selecting sounds

low-pass filters: 4.3.4.2. Using low-pass and high-pass filters

6.3. Professional webcasting

Lycos: 8.8. MP3 resources

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