8.4. Making MP3 files
To work with and create MP3 audio, you need:
You'll find an abundance of free MP3 players and encoders online (see Section 8.8, "MP3 resources" later in this chapter for more information).
8.4.1. Encoding MP3 files
Since most encoding is done directly from compact discs, we'll look at that process most closely, but keep in mind that most of these steps apply equally to audio streams coming from pre-existing WAV or AIFF audio files and to live streams. The single most important thing you'll need to keep in mind when encoding is the quality level, or bitrate. Here's a general guideline; a more complete quality comparison chart is shown in Table 8-1 later in this chapter:
These bitrates all use the CD-quality 44.1 kHz sample rate, except the 64 Kbps settings and below, which use lesser rates of 22 kHz and 11 kHz, respectively, to achieve adequate compression for the lower bitrates.
In addition, you'll need to decide whether you want to create CBR or VBR files. CBR is constant bitrate and generates files in which every frame has the same bitrate, regardless of the complexity of the passage. Use the list above to determine a CBR setting. VBR means variable bitrate and generates files in which the bitrate is different for each frame. In VBR mode, the bitrate is adjusted dynamically, on the fly, to accommodate the simplicity or complexity of the passage in question. In VBR mode, quality thresholds are set by adjusting a slider from low quality to high quality (much as you would when saving a JPEG image, adjusting the quality level at output time). In VBR mode, a setting of 60% to 80% creates files that sound roughly equivalent to 128 Kbps to 160 Kbps CBR files.
CBR encoding is recommended for general purposes; in our opinion, VBR doesn't actually win you that much, and CBR files are more broadly compatible with a wide range of players and are less prone to glitches and errors. Some encoders create VBR files with track length written to incorrect portions of the file, which really messes up some non-mainstream players and players on other operating systems.
18.104.22.168. Working with the CDDB
If you've ever played a CD through your computer, you know that you are presented with only Track 1, Track 2, Track 3, and so on, in the information window and not with the names of the actual songs. Many people don't realize that artist, album, and track names are not on the disc itself. This is where the CDDB (compact disc database) servers come in to play. On the Internet is a collection of servers that provide access to an extremely large database of CD titles. If you run a CDDB-savvy CD or MP3 player or encoder, you have access to the CD database. When you insert a CD, it is identified by a special "hash" number, and a few seconds later, the CDDB returns artist, album, and track names, giving you much more useful information to work with. The main database is at http://www.cddb.com, though there are many mirrors and competing CD database servers out there.
You'll find CDDB lookups so powerful that you probably won't want to use an encoder without this feature. All the encoders featured in this chapter contain CDDB. By using a CDDB-savvy encoder, you can have meaningful ID3 tags (covered later in this chapter) inserted into your MP3 files automatically, rather than having to enter them by hand.
22.214.171.124. Getting started
For the purposes of this chapter, we will encode an MP3 file using two encoders: Xing AudioCatalyst and MusicMatch Jukebox. Xing has long been a pioneer in MPEG encoding, and its encoding algorithms are reliable and popular. In fact, MusicMatch also used Xing's codec in Jukebox until late 1999, when they switched to a slightly faster and better quality codec from Fraunhofer and Thomson. Xing's AudioCatalyst also features faster-than-real-time encoding on modern machines, which is essential if you need to encode live streams. The downside is that you have to pay for the quality and extended features, but the price is modest. However, you can download a trial version of AudioCatalyst at http://www.xingtech.com, so you can try before you buy.
The second encoder we will use is MusicMatch Jukebox, a shareware encoder available at http://www.musicmatch.com. While early versions of MusicMatch were limited in encoding quality until you paid for the upgrade, MusicMatch changed their policy in early 2000; you can now download the free version and get full CD-quality encoding. MusicMatch Jukebox is an all-in-one ripping /encoding / playback/database application, and offers very good encoding capabilities. New users may find MusicMatch a little easier to use than AudioCatalyst, while more practiced users often gravitate toward AudioCatalyst.
8.4.2. Using Xing AudioCatalyst
Encoding tracks from CD with the Xing AudioCatalyst is a straightforward and relatively easy process. The interface is easy to follow, with the features you will use most often arranged in the main window, as shown in Figure 8-8.
Figure 8-8. The most important features in the AudioCatalyst interface, Add from File, Add from CD, Player, and Encode, are all located in the main window.
126.96.36.199. Selecting tracks
When you launch AudioCatalyst, the first step is to select the audio file or files you wish to encode. You can encode files from a hard disk or a CD. If you select Add from CD, a prompt will ask you to select the file or files to add. If you want all the files on a CD, just click Add All. The Add All feature lets you batch-process several tracks or files at once, a handy time-saving feature.
188.8.131.52. Choosing your encoding options
The next step is to select your encoding options by choosing File Preferences, as shown in Figure 8-9. The most important option in this dialog box is the bitrate setting -- use the guidelines presented earlier to choose CBR or VBR and a quality threshold. You may also want to take a look at the stereo/joint stereo/mono options, as described earlier in this chapter. Again, we recommend joint stereo for most purposes.
Figure 8-9. AudioCatalyst's Preferences dialog, showing the preferred, default settings: constant bitrate, joint stereo, 128 Kbps.
These default settings have emerged as the general standard with which the majority of MP3 files on the Internet are encoded, though 128 Kbps won't give you fidelity high enough to satisfy demanding listeners. Remember, the size of an MP3 file encoded at 128 Kbps is around 11 times smaller than the original, uncompressed audio file, and maintains a sound quality comparable to CDs. We recommend 160 Kbps for most purposes. Just remember: the higher the bitrate, the better the audio quality and the bigger the file.
184.108.40.206. 128 Kbps Internet standard
The MP3 quality standard that has emerged for general Internet distribution is 128 Kbps, which maintains near-CD quality sound at a 44.1 kHz sampling rate and provides a fairly good quality-to-file-size ratio for Internet delivery. You can use the next higher encoding levels (160 Kbps or 192 Kbps) for your personal collection or the next lower (112 Kbps) if you need lower file sizes. Anything higher than 192 Kbps is overkill for most purposes, and anything lower than 112 Kbps loses the benefit of high fidelity sound. For perspective, consider that one minute of stereo 16-bit, 44.1 kHz CD-quality digital audio is roughly 10 MB, whereas the 128 Kbps encoded MP3 version will occupy less than 1 MB. At this rate, the average 4 1/2 minute song uses less than 4 MB, instead of the over 45 MB needed for the standard, uncompressed 44.1 kHz WAV or AIFF file. At the reduced file size of 128 Kbps, 44.1 kHz MP3 encoding, distributing near CD-quality music over the Internet is attainable and sensible, even when delivered at analog modem speeds. Table 8-1 details the relationship between bitrate, file size, and quality.
Table 8-1. Results of encoding at different bitrates
220.127.116.11. Working with ID3 tags
Storing additional information such as title, artist, album, year, comments, and so on, is performed by creating or editing ID3 tags. ID3 tags are bits of information stored within the MP3 file itself and are accessible and editable using most of MP3 players. A good MP3 encoding tool will also offer to store ID3 data within the files it creates as it's running. In other words, ID3 data can be created along with the file, or added or changed later through an MP3 player or with a third-party utility. To have AudioCatalyst store ID3 data, select a file or CD track within the main window and choose Track Information in the edit menu to display the window shown in Figure 8-10. Be sure to check the box next to ID3 in the Preferences window.
Figure 8-10. Use the Track Information window to include output filename, title, artist, and album.
18.104.22.168. CDDB database support
AudioCatalyst includes CDDB support, as described earlier, so you can get meaningful artist, album, and track data for your CDs automatically, and also have appropriate ID3 tag data inserted in your files.
To have AudioCatalyst automatically add the track information for your CDs, select Fetch Track Informationfrom the CDDB menu. AudioCatalyst will then make the connection to the CDDB servers (via your standard Internet connection) and download the relevant information behind the scenes. If you're already online, this happens seamlessly. If you are not yet connected, AudioCatalyst makes the connection for you. Within 2 to 30 seconds (depending on the speed of your connection), your CD track names and play times are updated and can be included with the MP3 files you want to encode.
If you encounter a CD that can't be found in the CDDB (though this is quite rare), you can enter the album, artist, and track names manually and have them uploaded to the CDDB. Once approved by human editors, the listing for that CD will be accessible to others. Be advised that once you enter the information into the CDDB database, the entry becomes the property of CDDB.
Once you have selected your encoding options, the next step is to rip and encode the file by clicking the Encode button on the main window. You will be prompted to select a folder or a directory to save the encoded files to. AudioCatalyst will encode the file as quickly as it can, limited only by the speed of your computer's processor and by how quickly audio data can be extracted from the CD-ROM drive. Since MP3-encoding is processor-intensive, you should use at least a Pentium running at 75 MHz or better, but using a Pentium II running at 200 MHz or better is ideal and will shorten the time it takes your files to be encoded. AudioCatalyst is currently one of the fastest encoders on the market (but not the fastest as of this writing -- that award currently goes to the commercial Fraunhofer codec, now used in MusicMatch Jukebox). This feature, along with batch and real-time encoding, can make the money spent on the application worth the investment in time saved.
After the encoding is complete, you'll find a new file with an .mp3 extension in the output directory. You can now listen to your MP3 file by clicking the Play button, which launches your MP3 player. Before you select Play for the first time, you must tell AudioCatalyst which player to use; set this setting with the SetPlayer option under the Player menu, as shown in Figure 8-11.
Figure 8-11. Before you can play your new MP3 files, you must click on SetPlayer and select the player you want Audio Catalyst to launch.
8.4.3. Using MusicMatch Jukebox
Using MusicMatch Jukebox is similar to using AudioCatalyst, though the interface differs somewhat. MusicMatch is an all-in-one tool that combines all the features you need to create and database your MP3 files. MusicMatch Jukebox also includes a built-in player, whereas AudioCatalyst requires you to install a separate player.
To encode to MP3 from MusicMatch, place an audio CD into your computer's CD drive and launch MusicMatch Jukebox. Click the button that says Recorder and the encoding recorder window will appear as shown in Figure 8-12. The tracks on the CD will be listed with track numbers.
Figure 8-12. Click Recorder in the MusicMatch Jukebox interface to enter the encoding section of Jukebox.
22.214.171.124. Selecting tracks
The next step is to select the tracks you wish to encode by clicking the checkbox next to each desired track. You may also select other audio files from your hard drive. When you have finished selecting your tracks, click the Start button found in the upper-right side of the window.
126.96.36.199. Specify encoding quality
As with AudioCatalyst, the default values for MusicMatch are 128bit, 44.1 kHz and are the Internet standard for bitrate and quality. However, if your needs differ and you want to increase the quality or decrease the file size, you can alter the bitrate and sample rate accordingly. Again, for personal collections we recommend 160 Kbps or 192 Kbps, 44.1 kHz. For Internet distribution, choose 128 Kbps.
Click the Start button, sit back, and wait for a few minutes while the track is encoded to MP3. When MusicMatch is finished encoding, you will find the new MP3 files named as the originals, with the .mp3 extension added to each newly encoded file. Your files will appear in your MusicMatch database automatically. You'll find the actual files in a subdirectory of the MusicMatch installation directory. It's poor computing practice to store data files alongside application files, so we strongly recommend choosing a more neutral location for MP3 output, such as c:\data\mp3. You can change the output directory via Options Recorder Songs Directory.
You may now play your MP3 files. This feature can also be performed within MusicMatch Jukebox. Simply click the Database button found at the bottom of the Recorder window. This will open the Database window. In the upper-left corner, you will see a field that says Add Songs From and prompts you with three choices: CD, Disk, and HTTP://WWW. Click the Disk button. Open the appropriate directory. In this case, the default directory should be C:\Program Files\Brava\MusicMatch Jukebox\Music. Highlight the tracks you want to add to the database; if you want to add more than one track, hold down the Shift or Ctrl key while you select tracks. The database differs from the playlist in that it holds a listing of all available MP3 files, while the playlist holds only the tracks ready to go in the play queue.
When you have highlighted all the tracks you want to add to the database, click OK. The database window will come up again with the list of the tracks you selected. Simply double-click the tracks to add them to the current playlist. When you've finished adding MP3 files to the database, you can hear any of them by clicking the Play button.
188.8.131.52. CDDB database support
Also included in MusicMatch is CDDB support, as described earlier in this chapter. This option allows you connect to the online CD database at http://www.cddb.com, as shown in Figure 8-13, to automatically include artist, album, and track information with your encoded files. This feature is a great time-saver because it relieves you from having to locate and enter the appropriate track information for each track on a given CD.
Figure 8-13. The CDDB web site features track information for a variety of CDs from around the world.
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