The GIF89a format introduced the ability to make portions of graphics transparent. Whatever is behind the transparent area (most likely the background color or pattern of the page) will show through. With transparency, graphics can be shapes other than rectangles (Figure 19-3)!
Figure 19-3. The same GIF image with transparency (left) and without (right)
In most graphics tools, the transparent area is specified by selecting a specific pixel color in the image with a special transparency pointer or eyedropper tool (in Paint Shop Pro, it needs to be specified numerically). All pixels in the image that match the selected color will be transparent when they are rendered in a browser.
To understand how transparency works, you need to start with the color table (the table that contains the palette) for the indexed color image. In transparent GIFs, one position in the color table is designated as "transparent," and whatever pixel color fills that position is known as the Transparency Index Color (usually gray by default). All pixels in the image that are painted with that color will be transparent when viewed in a browser.
Let's look at techniques for working with transparent GIFs. These techniques use Adobe Photoshop for its layering features. The first provides strategies for getting rid of "halos" (or fringe) around transparent graphics. The next gives pointers for preventing unwanted transparency within your image.
19.7.1. Preventing "Halos"
Far too often, you see transparent graphics on the Web with light-colored fringe around the edges (called a "halo") that doesn't blend into the background color (see Figure 19-4).
Figure 19-4. A "halo" effect created by anti-aliased edges in a transparent graphic
This effect is the result of anti-aliasing, the slight blur used on curved edges to make smoother transitions between colors (like the image on the right in Figure 19-5). Aliased edges, by contrast, are blocky and stair-stepped (like the image on the left). The images below have been enlarged to make pixel-level detail more prominent.
Figure 19-5. Aliasing versus anti-aliasing
When the color around an anti-aliased edge is made transparent, the blur along the edge remains intact, and you can see all those shades of gray between the graphic and the darker background. Halos make graphics look messy and unprofessional.
Unfortunately, once an image is saved as a GIF, the only way to fix a halo is to get in there and erase the anti-aliased edge, pixel by pixel. Even if you get rid of all the edges, you'll be left with blocky edges and the quality of the image will suffer.
However, halos are very easy to prevent. Following are a few techniques to avoid that unwanted fringe in transparent graphics.
18.104.22.168. Use aliased edges
One way to avoid halos is to keep your image and text edges aliased (as shown in Figure 19-6). That way there are no stray pixels between your image and the background color.
Figure 19-6. Transparent graphic with aliased edges (no halo effect)
In Photoshop, the marquee, lasso, and magic wand selection tools all have the option of turning off anti-aliasing in their respective Option palettes. You can also choose to turn off anti-aliasing when creating text.
The advantages to aliased edges are that they are halo-proof and require fewer pixel colors (which potentially means smaller file sizes). The disadvantage is that the blocky edges often just look bad.
22.214.171.124. Use a matte color tool
If you are using Fireworks, ImageReady, or Photoshop (5.5 and higher), the best way to prevent a halo is to use the Matte color tool. The tool requires that you start with a layered file that already contains transparent areas. In other words, the image must not have already been "flattened." The parts of the layered image that are transparent will remain transparent when exported to GIF format.
In the tool's optimization palette, simply set the Matte color to the same color as the background of the page on which the GIF will appear (Figure 19-7). When the GIF is exported with Transparency selected, the anti-aliased edges of the image blend with the selected Matte color. That blend ensures there will be no halo.
Figure 19-7. The matte color tool (shown in Photoshop 6)
126.96.36.199. Use a colored background layer
If you are working with Paint Shop Pro or an earlier version of Photoshop, there is an easy technique for avoiding halos, but it also requires that you begin with a layered file. If you are starting with a flattened image, such as from a CD-ROM or scan, you first need to use a selection tool to cut the image from the background (using an anti-aliased selection tool) and paste it on a layer of a new file.
19.7.2. Preventing Unwanted Transparent Areas
In some instances, you'll find that the color around the edge of your image also appears within the image. This means that if you use an eyedropper tool to select the edge color for transparency, parts of your image will disappear as well.
The easiest way to prevent this is the handy Matte color feature of a web graphics application (discussed earlier), because it does not rely on an eyedropper tool for transparency. Rather, the transparent areas of the layered file are preserved upon export, and the solid pixels in the image area are unaffected.
However, if you are using a tool that does not have a Matte color feature, such as an early version of Photoshop or PaintShop Pro, there is a trick for preventing unwanted transparency. For this example, consider an image that has a white background, but also white text within the image area. The goal is to turn the white pixels around the image transparent, but to keep the white text white.
188.8.131.52. Creating a distinct color for transparency
Follow these steps to create a distinct color for transparency:
184.108.40.206. Changing the distinct color without losing transparency
The following is an optional addition to the preceding technique. If for some reason you are unhappy with the new color in your file, or if you worry that it will be visible if transparency isn't supported (not likely these days), you can turn the new color back to its original color value (white in our example) while keeping it distinct from nontransparent pixels sharing that color (the white in the text areas).
Copyright © 2002 O'Reilly & Associates. All rights reserved.