Compression (Web Design in a Nutshell, 2nd Edition)

25.2. Compression

Digital video wouldn't be possible without methods for compressing the vast amounts of data necessary to describe sound and frame images. Video files can be compressed in a number of ways. This section looks at a variety of compression schemes and introduces the methods they use for achieving compression rates. Understanding your options can help you make better decisions for optimizing your video files.

25.2.1. Lossless Versus Lossy Compression

Compression can be "lossless," which means no information is lost and the final file is identical to the original.

Most compression schemes use forms of lossy compression. Lossy compression sacrifices some data from the file to achieve much higher compression rates. Lossy compression schemes, such as MPEG, use complicated algorithms that toss out data for sound and image detail that is not discernible to the human ear or eye. The decompressed file is extremely similar in character to the original, yet is not identical. This is similar to the way JPEG handles still images.

25.2.2. Spatial Versus Temporal Compression

Spatial (or intraframe) compression takes place on each individual frame of the video, compressing the pixel information as though it were a still image.

Temporal (or interframe) compression happens over a series of frames and takes advantage of areas of the image that remain unchanged from frame to frame, throwing out data for repeated pixels.

Temporal compression relies on the placement of key frames interspersed throughout the frames sequence. The key frames are used as masters against which the following frames (called delta frames) are compared. It is recommended that a key frame be placed once every second; therefore, if you have a frame rate of 15 fps, set your key frame rate once every 15 frames.

Videos without a lot of motion, such as talking head clips, take the best advantage of temporal compression. Videos with pans and other motion are compressed less efficiently.

25.2.3. Video Codecs

There are a number of codecs (compression/decompression algorithms) that can be used to compress video files for the Web. Many of these codecs can be applied to several different file formats (discussed in the next section of this chapter).

Video-editing software packages often offer a long list of codecs in their compressor list options. Here we focus on just those that are relevant to video intended for web delivery.

Radius Cinepak: Cinepak provides decent compression/decompression rates and is compatible with both QuickTime or AVI formats. It employs both spatial and temporal compression and a lossy compression scheme at lower quality levels. Low to medium quality settings will produce acceptable quality video. It is also well supported, so if you want your video to be viewable by the widest possible audience, choose Cinepak.

Sorenson

Intel Indeo: The Indeo codec provides compression rates similar to Cinepak by the use of spatial and temporal compression, with lossy compression at low quality levels. Its drawbacks are that it does not maintain quality at data rates as low as Cinepak, and it requires high-end machines to perform at its best.

Animation: If your video clip is all computer-generated graphical imagery (i.e., not sourced from videotape), you may want to try the Animation compressor. Depending on the type of image, the Cinepak codec may work just as well (or better) for these types of files.

MPEG